![]() ![]() In the early 1930s he moved to California, where he continued his work with film music. Gershwin's period of study is often cited as 1919–1921, but Susan Niemoyer has shown that the student-teacher relationship persisted until at least 1923.ĭuring that period Kilenyi was also actively creating and arranging music for local theaters this may be the origin of his association with the Sam Fox Publishing Company, which among other services published collections of short, thematically appropriate pieces of stock music for use by silent movie houses. It was during this period that George Gershwin came to him to study harmony. ![]() ![]() While he lived in New York he taught composition based on the methods of Percy Goetschius. A bound copy of that essay (possibly a draft, given the corrections and annotations in both ink and pencil) is in the Kilenyi Archive at FSU. Although Columbia has no record of him being registered as a student, his Master's essay, "The Development of the Violin Music up to the 18th Century," dated 1914, appears in the Columbia University catalog. According to Baker's Biographical Dictionary of Musicians, he obtained a Master's and PhD from Columbia in 1915. His early education was primarily in Hungary, but he briefly studied with Mascagni in Rome and later attended the Cologne Conservatory, from which he graduated in 1908 (according to his diploma other sources say 1907).Īfter immigrating to the United States, he apparently attended Columbia University and studied with Cornelius Rybner (or Rübner) and Daniel Gregory Mason. (born Kilenyi Ede) was a Hungarian-born violinist, composer, arranger, writer on music, and teacher. The results are of particular importance for surrogates, when the original working liquid is too costly or too hazardous, e.g., cryogenic liquid hydrogen LH2 or liquid oxygen LO2.Edward Kilenyi, Sr. By comparing the variations of the attached cavity lengths and their oscillation frequencies, we successfully achieve similarities between different working liquids. Simultaneous high-speed observations from top and front views provide improved measurement of the cavitation characteristics. Our theory is validated with systematic experiments of Venturi cavitation in water, Freon 113, and fluoroketone in a small-scale closed-circuit cavitation tunnel under well-controlled conditions. Among them, three major non-dimensional parameters are proposed for similitude conditions of Venturi cavitation experiments between different liquids, namely, the thermodynamic parameter, the Reynolds number, and the relative cavitation number. In the present paper, we first derive the non-dimensional parameter groups from the dynamics of a single cavitation bubble traveling through a Venturi tube. Discrepancies in thermodynamic effects on cavitating flows in previous experimental studies may result from the lack of control of non-dimensional parameter groups under this special condition. Under thermo-sensitive conditions, due to thermodynamic effects, a bubbly cloud is often believed to behave similarly to a single cavitation bubble with respect to its shape, oscillation, etc. Thermodynamic effects delay the growth of cavitation bubbles and may accumulate to a considerable level in a bubbly cloud. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |